TintinOne of the criticisms that came the film's way was that Steven Spielberg hadn't read Tintin properly when he considered adapting it to the big screen. That like most Americans he wasn't very conversant with the hero's European legacy. Fact is that Spielberg had initially responded to Tintin purely on a visual impulse; when studying French in high school he held a French language edition of the comic book series in one hand and a dictionary in the other. The other rue was that an American director making Tintin would do injustice to the character's European legacy, "the prism of post-war Europe" as an article in The Economist put it across.
A special preview of The Adventures of Tintin by Steven Spielberg proved that both these laments might have been a bit premature. For starters, even if the character of Tintin is quintessentially European, European filmmaking itself has neither the financial nor technical prowess to create the sort of gobsmacking spectacle that Spielberg's TintinRead More »from An American Tintin