Blog Posts by Rummana Ahmed

  • Review: Agent Vinod

    Saif Ali Khan in Agent VinodIt amazes me how filmmakers think that stylized and slick production qualities give them the license to toss the script and logic out of the window. Big banner productions that go all out to publicize their films often turn out to be box office duds but Sriram Raghavan and Saif Ali Khan had successfully collaborated on 'Ek Hasina Thi' earlier. In fact the first 30-45 minutes looked really promising but post interval the film turns out to be a most tedious watch.

    The film is about a fearless RAW agent (Saif Ali Khan) who is investigating his colleague's (Ravi Kishen) death and stumbles upon a terror plot which will kill millions in India. While he's racing against time to find the bomb and the perpetrators of the crime, he comes across the mysterious Dr Ruby (Kareena Kapoor). Is Ruby a victim, a spy or is she working in connivance with the criminals?

    Saif gets the physique and the body language right but what about the script? Was it just narcissism, that the plot gets stretched beyond

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  • Y! Meta Review: Kahaani

    Vidya in KahaaniA lot of us might have completely written off Sujoy Ghosh after box office disasters like 'Home Delivery' and 'Aladin' but he has managed to score big with 'Kahaani'. Ghosh manages to weave a compelling, well-nuanced tale that skillfully transforms from a drama to a gripping suspense thriller.

    Gaurav Malani in his review says the narrative is the star of the film:

    Kahaani rightly lives up to its name and reinstates the fact that the core criterion for a decent film is a strong story. And if that story is in competent hands, you don't need anything else. No big stars, songs, budget or even a customary male lead. For a (pleasant) change, the script is indeed the hero here!

    What's interesting about 'Kahaani' is that different elements work for different people. Kaveree Bamzai in her review says:

    Kolkata is the star of the film. Kolkata early morning, with people drinking tea, brushing their teeth, waking up from the pavement. Kolkata going home, on the tram, with the obligatory call from

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  • Review: Kahaani

    Vidya Balan in KahaaniSujoy Ghosh's 'Kahaani' is such a compelling watch that it makes it difficult for the audience to sit back and relax. The tight script manages to keep the viewer's hooked till the end and the climax has a payoff that's completely worth the wait.

    The premise is simple: Vidya Bagchi's (Vidya Balan) husband who had come to Kolkata on a short assignment has suddenly gone missing. A pregnant Vidya comes down from London to find Arnab Bagchi, who seems to have either disappeared or never made the trip in the first place. The way a simple search story unfolds, weaving a complex conspiracy is most intriguing.

    The storytelling is taut and the momentum builds to a grand climax, the pace not slacking even for a moment. The possibilities are infinite: Did Arnab Bagchi just desert his pregnant wife? Are the police trying to somehow cover up his Kolkata visit? Does Arnab Bagchi exist or has he given his naïve wife a false identity? Is it possible that he has gone missing because he was mistaken for

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  • Kahaani review

    n Cast: Vidya Balan, Parambrata Chatterjee, Saswata Chatterjee n n Directed by Sujoy Ghosh n Rating: **1 /2 n n “Computers are like a cycle for the mind, ” is something the late Steve Jobs once said. His analogy works just as well for suspense thrillers. Some love them for the uneasiness of being unsure of what will happen next, others enjoy putting the pieces together before the climax. And if they can ’t, they love it even more. ‘Kahaani ’, with a few loose ends, manages to score with an ‘unpredictable end ’ but the tension on the screen doesn ’t translate into an anxious audience. Not throughout the film at least. A pregnant woman seeks her absconding husband. She has flown down from London for the very first time to our colonial junkyard- Kolkata, precisely to do that. Now just this as a starting point could be used to terrorize the audience. A strange city full of people speaking an incomprehensible language can be portrayed cinematically through sweeping shots of crowds,

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  • Y! Meta Review: London Paris New York

    London Paris New York

    Debutant director Anu Menon's 'London Paris New York' is an effortless watch and the fast pace of the film doesn't give the viewer too much time to ponder over the flaws.

    I have realized the least I expect from a film, the better it works for me and Shubhra Gupta seems to echo the same sentiment in her review:

    A film that sounds like an itinerary of newlyweds on an international honeymoon manages to deliver a desi rom com with flavour and zing, coasting on a guy and a girl who look like they can't wait to get it on. That last is such a rarity in a Bollywood flick that it makes us willing and able to overlook the saggy bits.

    Kunal is definitely not willing to overlook the flaws and he gives 'LPNY' a 0.3 rating:

    Often directors believe the city their film is set in is a character in itself. By that logic, this one has three and if you watch this movie, they perform better than the lead cast. 'Accidently in love' is the most jaded theme in Hindi films and orchestrating that in foreign

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Pagination

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