Sudhir Mishra on Inkaar, the women in his films and why he doesn’t remember his earlier films
When Sudhir Mishra wrote ‘Jaane Bhi Do Yaaro’ in the 80s, little did he know that it will become a cult film in the history of Indian cinema. Made at a shoestring budget of roughly Rs 8-9 lakh, ‘Jaane Bhi Do Yaaron’ was no blockbuster, but its contribution is unquestionable. Even his 1996 crime-thriller ‘Is Raat Ki Subah Nahin’ was ahead of its time, while the 2005 drama ‘Hazaaron Khwaishein Aisi’ is perhaps what he is most remembered for. But Mishra doesn’t believe in resting on his past accolades. “For me, it is over because if you keep on thinking about your past achievements, it is going to be dangerous. I agree with what Danny Boyle had once said that every film should be like your first film. That adventure is the excitement,” he says.
Mishra’s films are known for the way he writes for his female protagonists who are not mere props in the films and he is quick to reveal that he drawsRead More »from ‘I'm Geeta in Hazaaron Khwaishein Aisi’