Blog Posts by Sayoni Sinha

  • Tracing Parallel cinema


    In the 1950s, Indian cinema saw the emergence of neo-realism films which were perceived as vehicles of social change

    A still from Ray's 'Pather Panchali'

    While most film historians believe that the birth of parallel cinema took place in 1969 with Mrinal Sen’s FDC financed 'Bhuvan Shome', the informal foundation had already taken place 20 years ago when a graphic designer began making a low-budget realistic film about the struggles of a poor family in a West Bengal village in the 1920s, with a team comprising a cinematographer who hadn't operated a video camera before and a cast ranging from an 80-year-old thespian who hadn't appeared on screen for 30 years and a five-year old making his debut in the lead role. With 'Pather Panchali' in 1955, Satyajit Ray marked his entry into the film world. This period saw the emergence of neo-realism which was closer to reality and early examples of films include Chetan Anand’s Neecha Nagar (1946), Ritwik Ghatak’s Nagarik (1952), and Bimal Roy’s Do Bigha Zameen (1953)

    A still from 'Bhumika'What was common

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  • Decoding Dadasaheb Phalke

    A still from Paresh Mokashi's 'Harishchandrachi Factory'

    Phalke’s own history serves as an exciting backdrop in terms of understanding the man who is the founder of Indian Cinema

    The man who laid the foundation of Indian cinema had died a dejected man and was probably the first Indian to taste success and failure in the show business. Phalke’s films, as was the norm during that time, were based on mythological characters and were instant successes. The audience, who till now, were only privy to the foreign films that would be screened in the theatres. “No much is known about Phalke’s early life and I , like most people, was oblivious to his eccentricities, “ says Paresh Mokashi, the director of the acclaimed Marathi film Harishchandrachi Factory. “While researching about his first film, I came across interesting trivia about him and go to know the man who was a sucker for adventure.”

    At the age of 15, Phalke left his home at Tryambkeshwar near Nashik and travelled all the way to Bombay to enroll himself in J J School of Arts. After that,

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  • Raja Harishchandra’s French connection


    'The Life of Christ' captivated Phalke so much that he gave up everything at the age of 40 to make the film

    On April 21, 1913, the editors of selective newspapers along with some imminent personalities of Bombay queued up at the now defunct Olympia Theatre to witness a phenomenon, which eventually marked the birth of Indian Cinema. The 40-minute long film was called Raja Harishchandra and the plot was based on a mythological character. Not having witnessed anything of this sort earlier, the film was a success when it was opened to the public on May 3, 1913 heralding the era of silent films in Indian Cinema.

    Passion of the Christ
    But this wasn’t a mean feat to accomplish but so captivated was Dhundiraj Govind Phalke (Dadasaheb Phalke) with the silent film, The Life of Christ, in 1910 that he decided to give up his career as a printing press owner and travel to London to learn and procure film making equipments. In the 1917 issue of Navayug, Phalke writes, “While witnessing Christ on

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  • How Saif got his ‘Go Goa Gone’ look


    Saif will be seen playing a Russian mafia lord, Boris the Zombie Hunter. Here's more

    Saif Ali Khan’s new look in his upcoming film 'Go Goa Gone' has raised many eyebrows. Saif will be seen playing a Russian mafia lord, Boris the Zombie Hunter in Raj Nidimoru and Krishna DK’s next film, Go Goa Gone. The actor, who is known to not experiment with his hairstyle, has an all- blond avatar and an inked bod. Saif Ali Khan’s look for the zombie film was decided after much deliberation.

    A source close to producers says, “As Saif is playing a Russian mafia lord in the film, his look was very important. A lot of looks were tried. Different hairstyles with different hair colours were tested before he and directors decided to go for the blonde backcombed mafia look. Apart from beefing up for the role, he was required to learn a new language and get his body tattooed.”

    Source further added, “Saif is a thorough professional and he didn’t let his apprehensions come in the way. Off-screen Saif doesn't Read More »from How Saif got his ‘Go Goa Gone’ look
  • 'Learnt about life from films'


    Says Tamannah Bhatia who makes her Bollywood debut in 'Himmatwala' opposite Ajay Devgn


    It has been a busy day for Tamannah Bhatia as she promotes her upcoming film. As she takes a break and he runs to vanity van for a quick touch-up, we tag along for an interview. For an actress who is making her Bollywood debut, Tamannah is confident. But this air of self-assurance comes from years of working around the industry mechanisms. The actress who is making her Bollywood debut opposite Ajay Devgn in Sajid Khan's 'Himmatwala' is a known face in the South. She made her acting debut in 'Chand Sa Roshan Chehra' in 2005 before flying down South and working in Tamil and Telugu films. As her hair gets styled, Tamannah chats with us about 'Himmatwala'. Here's the excerpts

    From Mumbai to South Indian films; how did that happen?

    I was in school and started my career with a Hindi film and post that south Indian offers started pouring in and the age that I was in, I was open to exploring new Read More »from 'Learnt about life from films'

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