Mr Ding Dong in action
The very mention of Subhash Ghai is enough to spring up images of the amiable floppy-hatted filmmaker who would make decided cameos in all his films. Having survived the industry for four decades, he has an impressive filmography to his credit. From the suspense classic ‘Karz’ to masala blockbuster ‘Ram Lakhan’, Ghai has tried his hand in everything. ‘Kisna’, ‘Yuvraj’ and ‘Black and White’ may not have tremendous recall with audiences but he defends them, saying that they were misunderstood and were ahead of their times. Ghai has been missing from action for the last few years given the legal hassles pertaining to his film institute, ‘Whistling Woods’. But now that he admits to have resigned from the institute, handing over the baton to his daughter, Ghai is all charged up to return to his first passion: making films. Between recording sessions of his untitled next, he was happy to spare some time with us to talk cinema and how he it has evolved in the last decade.
Firstly, what have
Firstly, what have











