Anupama Chopra says in her review:
Housefull 2 has exactly the same mix of stars, foreign locations, farcical plot and spectacularly dim-witted comedy as the first Housefull. This is the cinematic equivalent of junk food - when you walk in, you know exactly what you're going to get.
I guess that is the best defense the 'Housefull 2' team can think of, Chopra adds:
But then the Housefull crew never promised us story, performances, characters, craft. In an interview to www.glamsham.com, Akshay Kumar said that the film has 'love, letch and lots of adventure.' If that's what you look for in the movies, by all means venture in.
If you are looking for plot and narrative, then Gaurav Malani is right to point out:
Ah, coming to the storyline (if you still insist), the first half is, more or less, exhausted with unnecessary buildup through lackadaisical love stories and fathers-of-bride (Randhir Kapoor, Rishi Kapoor) who want billionaire son-in-laws for their daughters. The original essence of the franchise - of filling a house with multiple characters which results into a comedy of errors - initiates only in the second half, as a dozen characters land up in one palatial mansion. Each one mistakes the other for someone else and this comedy of mistaken identities isn't much different from the prequel or its likes. In fact one song (Do You Love Me) is an exact imitation of the climactic number (Dil Pagal Hai) from the cult-comedy No Entry - Johnny Lever gets baffled with the cross-connected pairings here.I guess what's worse is that the cast isn't too inspired and therefore the comic timing is a problem. Rajeev Masand in his review writes:
Comedy is all about timing, and save for Ritesh Deshmukh who is genuinely funny in many scenes, and Akshay Kumar who gets a few moments to shine, the cast of Housefull 2 largely disappoints, with John Abraham leading the pack as he fails spectacularly in matching his brawny physicality with a surprisingly effete demeanor. The girls — who between all four of them don't possess a single comic bone — have a permanent deer-caught-in-the-headlights expression, and each time they're on screen together you'll feel you're watching an advertisement for collagen and Botox. Even the usually dependable Rishi Kapoor hams it up like there's no tomorrow, his performance more or less reduced to dishing out corny barbs like: "You son of a slimy pseudopodia!" and "You have piles in your brains!"
It finally boils down to your threshold of tolerating nonsense. Like Raja Sen says:
Look, I have nothing against stupid comedies. The keyword, however, for Khan's films is that he stresses the stupid part much too much, and all at the expense of the laughs. Even a basic, childishly simple gag - where a compulsive thief walks out of a sauna and pinches a character's towel - is turned flat by Khan's perplexing decision to equip that character, and only that character, with a towel for his head, which basically means he can wrap it around his privates and saunter out instead of being genuinely starkers and embarrassed. And so we have Chunky Pandey hiding behind a towel - a towel he's holding in his bloody hands - and crying about how he wished he had a towel. Come on, Sajid, at least try to see the joke through, foolish as it is.
You can also read Yahoo! Reviews here:
Rummana's review: If you like Sajid Khan's style of comedy you will not complain too much about 'Housefull 2'. It's the tried and tested Bollywood formula, complete with skimpily clad women, brawny men (read, John and Akshay), dollops of slapstick humour, a hot item girl, fight sequences where John can show off his muscles and Akshay can display his martial art skills and lots of mindless banter. More
Kunal's review: Comedy fueled by confusion yields very little. And in Bollywood, this leads to people repeating their punch lines, screaming while spitting with expressions more animated than the next Pixar production. Here we have a house full of just this. The success factors are the usual: foreign locations, a minimum of two top stars (John-Akshay) and a maximum of two average stars to make the top stars feel more significant (Shreyas-Riteish). Then there has to be unaccountable opulence (since the audience wants to escape from their middle-class drudgery), dhishooming at the ratio of 30:1, naach-gaana by the united blues of Thailand and so on. More
You can also connect with me on Twitter.