Movie Reviews
  • Cast: Tusshar Kapoor, Kulraj Randhava,

    Directed by Samir Karnik

    Rating: Minus Chaar

    The writers of ‘Chaar Din Ki Chandni’ and CAPTCHA writers serve the same purpose: waste your time and question your being (considering your taste in films!). Nonsensical has always been Bollywood’s version of slapstick. A wafer-thin plot, exaggerated characters who believe comedy means screaming out lines and repeating jokes which weren’t funny the first time around. But CDKC, miraculously, even manages to insult this disreputable genre. While a romantic comedy surrounding a wedding would be an impulsive 'paisa-daalo' for any financier, the unaccounted risks surface from the cracks in the characterization. And even for a person with superhuman tolerance, they will seem unnecessarily quirky and embarrassingly desperate in their attempt to entertain. If you’ve seen the promos of this film, you know the type. But you’re wrong. It’s not even worthy of being a no-brainer that you gape at on TV during aimless

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  • London Paris New York

    Debutant director Anu Menon's 'London Paris New York' is an effortless watch and the fast pace of the film doesn't give the viewer too much time to ponder over the flaws.

    I have realized the least I expect from a film, the better it works for me and Shubhra Gupta seems to echo the same sentiment in her review:

    A film that sounds like an itinerary of newlyweds on an international honeymoon manages to deliver a desi rom com with flavour and zing, coasting on a guy and a girl who look like they can't wait to get it on. That last is such a rarity in a Bollywood flick that it makes us willing and able to overlook the saggy bits.

    Kunal is definitely not willing to overlook the flaws and he gives 'LPNY' a 0.3 rating:

    Often directors believe the city their film is set in is a character in itself. By that logic, this one has three and if you watch this movie, they perform better than the lead cast. 'Accidently in love' is the most jaded theme in Hindi films and orchestrating that in foreign

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  • Cast: Ali Zafar, Ali Zafar's 33 teeth, Aditi Rao Hydari

    Directed by Anu Menon

    Rating: 0.3 * (0.1 for each city)

    Often directors believe the city their film is set in is a character in itself. By that logic, this one has three and if you watch this movie, they perform better than the lead cast. ‘Accidently in love’ is the most jaded theme in Hindi films and orchestrating that in foreign locations is like a prototype. But this celluloid catastrophe trashes tried and tested formulas to prove that sometimes even marking all the ticks can produce a big cross at the box office.

    The duo that laugh, cry, make love, sneer across the three megacities include Nikhil Chopra (Ali Zafar), an aspiring filmmaker and Lalitha Krishnan, a stereotypical social activist. Nikhil and Lalitha meet by chance (about time we have a premeditated love story!) at London airport, where the latter is stalled as her New York flight gets postponed. Nikhil decides to grin his way into playing tour guide to Lalitha.

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  • Cast: Irrfan Khan, Mahie Gill

    Directed by Tigmanshu Dhulia

    Rating: ***

    A biopic on a non-public figure is like felicitating a Martian, no one on earth cares. Little known is often the same as little cared for but it could also mean little to compare with. So you have the world to improvise on the character and dress up his life to achieve cinematic victory. And that is just what this film has managed to a large extent with our super ‘daaku’ and national champ, Paan Singh Tomar. While legendary filmy dacoits like Gabbar Singh are remembered for their deliciously daring dialogue-baazi, Paan can be betokened with prefixes like selfless, considerate and even humane, making him as endearing as a ‘daaku’ can get.

    Predictably, Paan Singh is a victim of society and unavoidable circumstances push him to pick up his rustic double barrel. And like many other Bollywood baddies, he meets his inglorious end. But the journey of his life makes for a delightful watch. It begins from when he was a lad in

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  • Madhavan and Bipasha in 'Jodi Breakers''Jodi Breakers' could have been a fun film but the execution is bad. Ashwini Chaudhary gets the various elements in place but the bungled treatment makes the film a tedious watch.

    Avijit Ghosh in his review points out:

    At first glance, Jodi Breakers has a lot going for it: an unusual and interesting lead pair, fabulous outdoor location (Greece, in this case) and foot-stomping music. But the movie is let down by a script that lacks fizz and connect. Director Ashwini Chaudhary's venture begins as a comedy but gradually morphs into romance and loses momentum in the second half. Not even Helen can perk things up. Romance as remorse doesn't work here.

    For a romantic comedy, most of the humour in the film is pretty inane. There is Omi Vaidya's Kamdev scene, which works to a certain extent but his accent is not as amusing as before. Like Piyali Dasgupta writes in her review, it's the supporting characters that provide some relief:

    Some form of reprieve to see Milind Soman and Dipanita Sharma

    Read More »from Y! Meta Review: Jodi Breakers
  • A Jodi made in Greece

    Cast: R Madhavan, Bipasha Basu, Omi Vaidya, Milind Soman, Dipanita Sharma, Mrinalini Sharma, Helen

    Directed by Ashwini Chaudhary

    Rating: **1/2


    Hearts and buttocks may not serve the same purpose but when in love, both are subject to equitable amount of pain. This is one of the many pearls of wisdom you might pick up from this rom-com about breaking marriages and bandaging hearts. While similar films have managed well in exploring the intricate particulars of relationships, this one dares to not take itself as seriously and makes for a flaky yet pleasant watch.

    The film ushers us into the curious life of Sid Khanna (R Madhavan), a marriage breaker by profession and a divorcee by marital status. Although he isn’t a divorce lawyer, he lies very well and helps people part with their insufferable partners without getting bankrupt due to alimony. His friends and supporting cast include sexual athlete and bartender Nano (Omi Vaidya) and a couple who devise their screen time between offering

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  • Prateik and AmyLike someone rightly said some films should not be remade and Gautham Menon's 'Ekk Deewana Tha' definitely shouldn't have been.

    Taran Adarsh points out the obvious loopholes in his review:

    Both, the Tamil version [VINNAITHAANDI VARUVAAYAA] and also its Telugu adaptation [YE MAAYA CHESAVE] were considered path-breaking motion pictures. Though essentially a remake, EKK DEEWANA THA conjures memories of K. Balachander's roaring hit EK DUUJE KE LIYE. Menon is a master storyteller, no two opinions on that, but EKK DEEWANA THA fails to leave an impact for a valid reason: A beaten to death plot tends to stagnate after a point. Also, Menon overstays the hospitality by dragging the film in its second hour. Just when you think the story would conclude, Menon does a time travel and starts a new chapter in this never-ending love story. That, honestly, only makes this snail-paced movie a taxing and cumbersome experience.

    Bollywood loves a good romance but not one where the plot is dragged endlessly

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  • I hope you don't have lice

    Cast: Prateik Babbar, Amy Jackson, Sachin Khedekar

    Directed by Gautham Menon

    Rating: Minus Ek

    Pain and pleasure have the same facial expression. This is why you will share the same face with the lead cast of ‘Ekk Deewana Tha’ through the entire runtime. Love stories that curdle, portray societal and familial tribulations. But here, there is a far graver issue beyond the usual jaat-paat, rich-poor etc: The lead duo can’t act to save Tibet. And as dismissive as it may sound in the first paragraph of this review, it is in fact the iceberg that makes this painful love story crash as we endure the burn.

    The film is about an aspiring filmmaker and unemployed dreamer Sachin (Prateik Babbar) who gets knocked out of his world when he bumps into a celestial Mallu-Catholic girl Jessie (Amy Jackson). Following a bit of cutesy stalking, he proposes. She rejects on account of avoiding inter-caste hassles and for their age difference (she’s a year older). He refuses to give up and takes stalking to

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  • Kareena in EMAETThe one thing that makes debutant director, Shakun Batra's 'Ek Main Aur Ekk Tu' work is the fact that the film steers clear of melodrama and has an unpredictable climax but was there much else?

    Avijit Ghosh writes in The Times of India, that the film is the 'sweetest heartbreak':

    With only the faintest trace of the Hollywood hit, What Happens in Vegas (2008), Ek Main Aur Ekk Tu shows what first-rate direction and a cute but brave script can do to the done-to-death story of opposites getting attracted to each other. EMAET has heart, charm and an enviable lightness of being. And it certainly helps that the lead players are in fine form. Like quality wine, Kareena seems to improve with every passing year though you find shades of Geet (Jab We Met) in her part. And Imran brings just that right amount of balance to the difficult part of an uptight, gawky individual who evolves with every passing day. The movie is essentially his journey from boy to man. With its neon lights and flash, Las

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  • Cast: Imran Khan, Kareena Kapoor, Boman Irani, Ram Kapoor, Ratna Pathak Shah

    Directed by Shakun Batra

    Rating: **

    It is the season of love, heart-shaped balloons and diabetes-inducing greeting cards. So when a movie tries to cash in on this circus of affection, you know what you’re in for. But despite being packaged as a V-day extravaganza, this film doesn’t subscribe to every cliché associated with this auspicious day for getting Main and Tu to become Hum. To describe the core of this film without being a spoiler, we can say that all love is friendship but not the other way around. Confused? Here’s a chart.

    All friendship is not love

    Like every heterosexual love story, this one has a boy and a girl. And since contemporary love stories have to live up to the new world solution (escapist cinema) of ditching the daily drudgery for chikna neighbourhoods, they will be based in Las Vegas. Our boy, Rahul Kapoor (Imran Khan) is a failing architect by profession, closet photographer and full-time domesticated rat,

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