Madonna’s 12th studio album, MDNA, betrays the diva’s obsession with being young and contemporary. That said, it’s also an insistence that had led to an incredibly polished product
There is something to be said for Madonna’s obsession with youth: her 12th studio album is titled MDNA, a play on MDMA, the party drug that heady teenagers tend to club to, occasionally with disastrous results. Two of the twelve tracks adorning MDNA have the word ‘girl’ in it (‘Girl Gone Wild’ and ‘Some Girls’). Fortunately, it is also an obsession that sees Madonna on top of her game at 53. And being 53 also means that she’s trying doubly as hard to produce cutting-edge pop.
Miraculously, with MDNA, the effort pays off. It locates itself on the thin line between a petulant insistence on being trendy at any cost and being a truly gobsmacking product. Those sound mixers must have cost a lot of money. Where her voice fails (it was never that great, in fact) her DJs