These sketches are Dibakar’s vision for the characters played by Abhay and Emraan in ‘Shanghai
Writer-director Dibakar Banerjee too admits that when he was writing the script of ‘Shanghai’, that it was none other than Abhay Deol that came to his imagination for Krishnan’s character. He couldn’t imagine anyone else. Then when he started writing Jogi’s sketch he remembered Emraan Hashmi from ‘Footpath’ (2003). “I had recognized his talents in the film. He was completely approachable and capable of living his character on screen,” says Dibakar. But now that Emraan was a star Dibakar had his own inhibitions about Emraan agreeing to do a role that was so different. “Fortunately it took just five minutes for Emraan to say he was ready,” says Dibakar.
What followed informs Dibakar was the process of brining the sketches to life which proved to be a grueling task. “From Moustaches to ear piercing, dark circles, lightly shaded, paan-stained and yellowed teeth, tattoos painted on brown, sun-brunt arms etc. Then the ribbed body turned slack with a protruding paunch as Emraan went on an eating binge and Jogi slowly emerged from my sketches.
“The ‘yay’ guy I knew was gone. In his place was my IAS officer with a stooped shoulder walk, moustache, glasses and a ‘butter-wont melt’ expression on his face. The buttoned-up shirts, ties and trousers came with the costume, but the slight Tamil accent was all Abhay’s very own. He had put his conditions even before the shot. He made me sit in the make up van for 30 minutes with his diction coach and rehearse his lines. The efforts have paid off,” informs Dibakar.
Emraan Hashmi on getting into the skin of his character 'Jogi':
While Dibakar can’t stop singing praises of his characters in the film, Emraan Hashmi says, “It was challenging and I took it up even if it meant losing the body I’d worked for. While shooting my scenes I would often look into the mirror and ask Dibakar, couldn’t you have made me look any worse? And Dibakar would laugh.” Emraan also explains how he researched and absorbed meticulous details about his character – Jogi in the film. He adds, “We also got a local to record the lingo and fill us in on Jogi’s background. What would a small town wheeler-dealer who shoots marriage videos and porn movies do in the evening? Eat chicken and fish maybe? This kind of research and 10 odd workshops demolished me as an actor and brought Jogi to life.”
Abhay Deol about his Tamil Brahmin transition into becoming Krishna:
“It was not easy playing Krishna. Dibakar almost grilled us not only on the looks, but the posture and the gait and everything. I play a Tamil Brahmin in the film, and being as IAS officer posted in Maharashtra, I needed to perfect a lingo that was largely clean Hindi with more Marathi than Tamil words, but spoke with a subtle south Indian accent. To manage this I worked with a diction coach for 10 days. He also accompanied me on the sets. I even learnt the Tamil alphabets,” says Abhay.
Dibakar’s instructions were clear right from the start. “The look was that of a beauracrat: buttoned up shirts and ties, glasses and a moustache that wasn’t like the one I’d worn in ‘Manorama-Six Feet Under’. The end result: I was unrecognizable. Such characters give you a different high,” adds Abhay.
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